Jan 31, 2014

And Quietly Flows the Chambal..

Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And, hovering about, there are signs no one has ever read, chords no one has ever heard. ~ Haruki Murakami


Emerson exhorted us to go where there is no path and leave a trail. This was the thought uppermost in my mind at the penultimate moments of planning our trip this season to experience wildlife - specially the birds, from close. The itinerary & destination was to be Bharatpur - when we realised that we have at least one extra day in hand. Not that, it could not have been well spent even at Bharatpur, but that streak to explore some unknown territory took over. 

One of the thoughts was to capture night view of Taj Mahal in Agra - but that seemed a bit cliched. Besides, visiting & capturing Taj would not have been same without my wife. (Those, who find it cheesy, please give me a break. A man needs to score some brownie points too once in a while)

That is when destiny took over, and I came across a few images directing our attention towards Dholpur. A telephonic conversation with Shri Rajeev Tomar of Dholpur - who promised to guide us & did it so ably - tipped the scale. And, as I said at the beginning, Emerson's oft-quoted statement sealed the deal. 

So, off we were, getting down from train at Mathura and travelling towards Dholpur - taking the famous Agra-Mumbai Road. The task at hand, in the beginning was ardous - to goad the driver into driving fast - so that we can reach well in time, before fog gets into action & carpets the whole world. Hilariously enough, this extra cautious driver (Could he have been the inspiration for Imtiaz Ali’s taxi driver in Jab We Met?) was equally hell-bent on getting his car scratched - even in situations where it could have been easily avoided. 

Incidentally, travelling on any of the national highways acquaint one with a number of small, indistinguishable towns – normally lined on the either sides, while the highway cuts across through them. Such dusty  & unimpressive looking towns abound all over the country – seemingly cloned out of similar populace. You have seen one, you have seen them all.

Just Another Town

This is how I felt when we reached Dholpur  - the last town of Rajasthan before NH3, the Agra-Mumbai Highway, enters into MP.

My first glimpse of Dholpur and I could not escape the usual feeling - been there, seen that - kind of.  This time, I soon realized that I had a reason to feel so.  Yes, I had been there earlier - years ago – in different circumstances, in different role.

(If you allow me a bit of a reminiscence, this is the point where I go into a flashback. If not, by all means, you may skip next couple of paragraphs.) 

The year was 1996. The monsoon days of July end looked wettest & bleakest then, all the more because I was away from home, in conditions, describing which as inhospitable, would be a typical British stiff-upper-lip kind of understatement.

I was on road, travelling from Morena, in a taxi which was taking me towards Agra, whereon I was to travel to Delhi for catching a homebound flight. On those wet roads, with rain pouring constantly, I was cold and tired, and all alone, and the home was at least a thousand miles and perhaps more than a day away. 

That is when my taxi was pulled over to side. Waking up from my weather-induced slumber, I stepped out in rain, to realise that the bridge ahead was now closed for traffic - because the river had just started flowing across, in fact  a couple of inches above the bridge. The scape ahead did look ominous, with a furious river lashing along the banks. Fortunately, my ignorance about river's real depth and the desperation to reach home somehow added that extra  edge in my desperate plea, which must have touched a chord and convinced the army officer patrolling the bank to allow my taxi to cross the bridge. Mine was the last vehicle after which the bridge was shut to traffic for next few days.

Despite the chilling rain & ominously dark afternoon, I still remember the warm smile of that officer as my taxi crossed the bridge & moved towards Agra – passing through another town that looked equally desolate that wet evening. 
The thought of returning to those roads, seeing that river, visiting that desolate town ever again in my life ahead was something which never crossed my mind.

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That was then. This was now. Here I was – almost eighteen years later – on  a barely warm January afternoon trying to outrace the Sun moving towards horizon and a chilling evening - to get some time during bright daylight and experience the wildlife at National Chambal Sanctuary, and around that desolate town, which -  I now know – was Dholpur. The river was much more quieter, just murmuring along, in comparison to that monsoon evening of eighteen years ago.  

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For a bird lover, this is one of the very few locations in India to sight Indian Skimmer, a vulnerable bird, in its natural habitat  – and we were not disappointed. 

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As we turned a small bend on one of the sandy beaches of Chambal, a flock engaged in pre-mating rituals, went on to display their flying prowess to us – almost in a manner as if they had been rehearsing for this very occasion.
  
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Another interesting specie to sight is Gharial – a handsome specie of crocodiles, and currently one of the critically endangered species. A Gharial with its raised jaws, en-sheathing sharp & vicious teeth,  looks like a smiling assassin. 

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Of course, the crocodiles themselves were not too far from the reach of our lens. Fortunately, though the reverse was not the case.

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Dholpur, however, is just not about the National Chambal Sanctuary. The nature, with its extreme temperatures, has created an eco-system, in sync with the river, that makes Dholpur a rich treasure-trove for all kind of birds - be it vultures & raptors, grass-birds & water-birds alike.

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For the photographer in me, equally interesting was the topography around the river – carved out by nature through well-toiled efforts of centuries, in a manner that makes it inhospitable for one to live - and very easy for those who want to get lost.
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English language uses the word Hinterland for such a place lying so beyond anything. In Hindi, however, the word to describe the region around the river near Dholpur was ‘ Beehad’, meaning  ravines. 

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These were not just ravines with a very interesting & distinct landscape. These were part of the infamous ravines of Chambal – badlands of Northern India, infested with dacoits whose exploits were not only the part of local folklore, but were used also to drive the plots in Hindi movies –From Bandit Queen of early 90s to the most recent one,  Paan Singh Tomar.

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One look at those unfathomable ravines, and it is easy to fathom the reason why these were the breeding grounds for the dacoits. 

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To add to all this, the myriad colours that the terrain sports & the remnants of Dholpur's history is sufficiently enchanting for anyone to get hooked.

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The architecture providing a glimpse of its rich heritage, those enigmatic & scary dusty ravines, the red stone plateau, covered with dense forest,  the lakes and smaller water-bodies - reflecting the sky & Mustard cultivation brightening the otherwise dull day

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And the birds? Well, by the end of the trip, the count was almost 100, with a few lifers. Perhaps, we could have spent another couple of days in this rainbow, and I would have been as sad faced - but for another proverbial pot of nature's treasure at the other end, which was beckoning us from Bharatpur. 

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So, while, I take a breather before narrating my experience of Bharatpur, here is a link for you all to feast your eyes on more images - specially of the variety of birds - from Dholpur:  

And me, well, as far as I am  concerned, I now know exactly what Douglas Adam meant when he said:

I may not have gone where I intended to go,
but I think I have ended up where I intended to be.

Jan 21, 2014

The Fog at Bharatpur

Unknown to us, during the night, it had descended, like a cat & sat on its haunches silently, looking over the city - just the way Carl Sandburg described it in his poem Fog. Seeing the vista outside my bedroom window, today morning, my mind wandered back to my recent yayawari which had taken us to the ravines and grasslands of Rajasthan.


For three days, despite the weather forecast, we have had a good run with winter. Sun had been more than kind enough - giving us much needed warmth in the freezing cold as well as ensuring superb visibility for us to capture wildlife images. 


The evening on the third day sounded the first discordant note, with fog moving in - slowly but steadily like the proverbial tortoise, seeping through the leaves and grass-blades all around. The morning after had obliterated the vibrancy - and left behind were Black, White and Gray - making me understand what the Britishers meant with the phrase - Pea-Soup Thick fog. 


The ambiance was ominous - perfect for a spine chilling mystery - and yes, I am sure about it, because despite six layers of warm clothes, the chill had managed to infiltrate right into my spine. In the initial days of my hobby, a fog like this would have made me stay put indoor, in a sulky mood,  just like a child, eagerly awaiting the Santa Clause, only to be told that Santa has decided to skip his house this Christmas. 

Not any more! Now the fog was adding another interesting dimension to our trip, enticing us to step out to seek and experience the mysteries of nature. While everything looked & stood still, dew glistening on the spiderwebs, everything was seeming to be appearing & dissolving into the mist - creating an image from the magical realm. To my mind came the very philosophical and popular ghazal by Sahir Ludhianawi, a Bollywood classic from yore.

The ghazal was an inspiration enough for me to use the opportunity and make an effort to capture the beauty of a very-very gray wilderness of Bharatpur, that morning.


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While above was one image from that foggy morning at the Keoladeo Ghana National Park of Bharatpur, a few more captures accompanying those famous verse of Sahir can be seen on the following link: